‘Blackish’ Episode Guide (April 13): Dre’s Sister Marriage Causes a Family Debate

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‘Blackish’ Episode Guide (April 13): Dre’s Sister Marriage Causes a Family Debate

“Johnson & Johnson” (04/13/16) – Dre’s sister, Rhonda, is getting married to her girlfriend, Sharon, and the upcoming nuptials lead to a conversation on tradition.

Dre finds out that Bow is against the patriarchal convention of taking the man’s last name, but he never knew this because Bow’s maiden name is also Johnson.

Meanwhile, Jack and Diane want to be the ring bearer and flower girl but worry they’ve aged out of the gigs, and Junior and Zoey prep Ruby to embrace her daughter’s relationship, on “black-ish,” WEDNESDAY, APRIL 13 (9:31-10:00 p.m. EDT) on the ABC Television Network.

Guest starring in this episode are Peter Mackenzie as Mr. Stevens, Jeff Meacham as Josh, Wanda Sykes as Daphne Lido, Allen Maldonado as Curtis, Catherine Reitman as Lucy, Raven-Symoné as Rhonda Johnson, Elle Young as Sharon Duckworth, Issac Ryan Brown as Young Dre and Phil Morris as Frank Duckworth.

“Johnson & Johnson” was written by Courtney Lilly and directed by Rob Hardy.

Like any parents, Andre “Dre” (Anthony Anderson) and Rainbow (Tracee Ellis Ross) Johnson want to give their children the best. But their offspring’s childhood is turning out to be much different than theirs. They now realize at least two things: there is a price to pay for giving their children more than what they ever had, and these loving parents are totally unprepared for the fallout.

Dre considers himself the family patriarch and when he looks at his life – he sees a beautiful wife and four kids living happily in their colonial home in the ‘burbs. But when he looks a little closer — have the trappings of success brought too much assimilation for this black family? The world he sees has a much different lens than the one he would like his family to look through.

He may disagree with some of the liberal viewpoints of his bi-racial wife, Rainbow, an anesthesiologist. But they are in agreement that they want to successfully raise their family in a better situation than what they had. Much to her husband’s wonderment, she believes their children can exist in a colorless society. She takes pride in that her husband will break down barriers by becoming the first black senior VP of his ad firm. She is also looking forward to the salary increase that will follow.

Dre’s father, affectionately referred to as “Pops” (Laurence Fishburne), has an affinity for velour tracksuits and going to the racetrack. He can be quite the curmudgeon and takes every opportunity to offer his opinion on family issues. But when Pops offers his usually curt and spot-on old school wisdom, it is difficult to disagree with him.

Dre’s son Andre Jr. asks to be called “Andy,” and then announces that like his schoolmates, he wants a bar mitzvah for his 13th birthday — and their family isn’t Jewish. When the boy says he wants to play for his school’s field hockey team instead of basketball, Dre has to wonder: would he rather Andre play basketball because it is a black-ish sport? Or could it be Dre wants his namesake to like the sport he prefers?

Zoey, 15, has everything going for her. She’s pretty, popular and super smart. However, she is dripping in privilege and unearned entitlement. Zoey’s idea of success is rooted in material things, rather than hard work. The definition of accomplishment for Zoey? To have 100,000 Instagram followers.

Rounding out the family are six-year-old twins, Diane and Jack. Diane is gifted and talented. She thinks she has all the answers but has yet to develop a filter to put them through. Although she is one minute older than Jack, she likes to think she is smarter than her twin brother by ten thousand minutes. Young Jack is more of the sensitive type and idolizes his dad. He is quick to give his father a compliment, even if it does come out a little awkward.

Dre is sincere about honoring his family’s past, while also embracing its future. As he defines what the American dream means to his family in a multi-cultural world, one idea keeps surfacing. It appears that in this melting pot called America, we are all a little um, black-ish.

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